qq音乐
《龙之谷》×张家界线下联动精彩花絮_我的网站
一 |
Yang Ni, a villager from Yuanqiao in Dengfeng, Central China's Henan Province, still remembers the nervous excitement of facing a slowly advancing camera for the first time. Now, she shifts with ease between roles, from a maidservant trailing a heroine in a historical drama to a famine-struck villager before the People's Republic of China was set up in 1949.
Experiencing so many lives within various screenplays, Yang said that short dramas have transformed not only her life, but also the ancient village she calls home.
Yuanqiao, a small village with a history that traces back over 600 years, has welcomed more than 70 short drama crews in recent years. The creators have captured every angle of the village's traditional courtyards, winding alleys, and gently rising cooking smoke. Locals have grown used to exchanging their daily farm clothes for costumes between busy seasons, giving life to lively townsfolk on vertical screens.
Yuanqiao village's revitalization is not just a story told through the camera lens. Si Jianbin, responsible for short drama coordination in the village, told the Global Times that the changes brought by short drama filming are visible in many ways.
With traditional buildings serving as natural film sets, once-abandoned houses, crumbling village walls, and old opera stages have been repaired and preserved. This has renewed villagers' sense of cultural stewardship. The arrival of drama crews has also broadened job opportunities for local youth; more young people are now choosing to stay or return home, breathing new life into the village.
Si noted that challenges also persist. The swift rise of AI-generated dramas is reducing demand for real-life shoots, and the number of visiting productions in the village has started to drop. Still, Si remains confident, noting that the village's authentic architecture meets the growing demand for high-quality short dramas. He said that leveraging this unique match will secure a promising future for revitalizing rural areas through film.
Changed villages
"For years, I only saw our old houses as broken-down obstacles; after filming, I realized every brick and tile is our cultural heritage," Yang said. Having played a background actor in numerous dramas - from period pieces to modern stories - she and her neighbors now see their ancient city walls, opera stages, temples, and homes through new eyes.
Some once-vacant houses have found new purpose as meticulously arranged sets, bearing witness to love stories or family feasts. One courtyard, frequently appearing in short dramas, is adorned with red lanterns and paper cuttings to express joy. Villagers redecorate it for shoots, blending cheerful ambiance with authentic period feel.
Today, Yuanqiao's residents - all from toddlers to seniors, even family donkeys and dogs - have become "stars" on camera. People farm during the busy season, then slip into costumes to perform, seamlessly shifting between fields and film sets.
Younger villagers have found new skills and work too. Si noted that more than half of local youth have acted as extras, with some job-seeking college graduates now learning editing and computer skills from the drama teams, opening the door to steady work in short film production.
The economic benefits for the village are clear. Si pointed out that village income grew from 4 million yuan ($593,330) in 2024 to over 5 million in 2025, a 20 percent of increase thanks to short drama filming. Most villagers have seen their annual incomes rise by around 5,000 yuan as a result.
Traditional crafts once on the verge of disappearing - such as paper-cutting and basket-weaving - are also reviving. Villager An Qing'e, known for her hand-woven flower baskets, was discovered by a filming crew and soon found online customers for her props.
Tourists, too, are seeing the village in a new light, as site visiting becomes an immersive experience. They are no longer fleeting passersby, but participants in the living stories of the ancient village.
The sets created for filming repurpose historical spaces, allowing visitors to step into the joys and sorrows of different eras.
This phenomenon is not limited to Yuanqiao village. The unique needs of rural and historical short dramas perfectly match the spaces and cultural resources of China's villages. Other places, such as Hujiaxi in Yuanling county, Central China's Hunan Province, and Nanhu in Jinyun county, East China's Zhejiang Province, are attracting drama crews and experimenting with a rural revitalization approach combining short drama with agricultural and cultural tourism.
Seeking the irreplaceable
Still, the path for rural short dramas is being tested by the realities of the market.
The rise of AI-generated content is quickly diverting orders away from real-location shoots. Si said that after peaking at 35 crews in 2025, the number shrank to one or two per month in Yuanqiao village by 2026.
Even so, Si sees a hopeful future. While AI short dramas win on low-cost virtual settings, China continues to encourage the creation of well-crafted real-life dramas through supportive policies.
There is a lasting appeal in the atmosphere, sense of history, and human vitality that only real villages can provide - qualities virtual images cannot match. As audiences and studios increasingly seek authenticity and quality sets, villages like Yuanqiao have lasting room to grow.
Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, told the Global Times that the rise of AI-generated short dramas is reshaping the industry. However, this does not mean villages will lose out on the benefits brought by filming. On the contrary, when the bubble fades, truly valuable villages may be in even greater demand.
Their core competitiveness is not just cheaper venues, Zhang explained, but their unique local culture, authentic lifestyle, and the fusion of online and offline tourism experiences.
"To keep these benefits, villages should not compete with AI on cost and efficiency," Zhang noted. "Instead, they must redefine their own irreplaceability in the production chain."
Ding Daoshi, a veteran internet analyst, offers a word of caution: short dramas change fast, and their impact rarely lasts as long as movies or TV series. For villages, the key to sustainable development is leaning on their unique heritage and not just short dramas.
By finding their own irreplaceable assets and combining them with the energy of film, they can secure their future for the long haul.
。 张家界的山水，就像一幅天然的东方奇幻画卷。《龙之谷》16周年资料片中将张家界武陵源景区亿年峰林的独特地貌融入了游戏场景，这幅现实中的山水画卷，便在游戏中徐徐铺陈开来。
二 | 8月8日~8月14日期间，《龙之谷》携手张家界国家森林公园打造了一场特别的线下联动活动，冒险家们又从虚拟世界走进三千奇峰之间，在现实中展开了一场跨越次元的“寻龙登仙”。从进入景区开始，冒险家就能够持续感受到此次联动的热闹氛围。现场不仅能看到诸多本次联动的海报和指示牌，沿途随处可见的《龙之谷》主题元素，也让游戏与景区之间的联动感进一步延伸。
巨大的《龙之谷》联动张家界森林公园广告牌
现实中的武陵源8月8日活动开启当天，现场不仅有不少国内冒险家参与了《龙之谷》国风新职业银色剑仙与艾琳Coser的互动活动，还吸引了众多海外游客的目光。来自不同国家和地区的游客共同参与其中，让这场联动活动显得格外热闹。对于冒险家而言，这不仅是一次看见游戏角色走进现实的梦幻时刻，也让来自不同国家和地区的游客，在张家界的奇峰秀水之间共同感受到《龙之谷》与自然风光交融的独特魅力。
联动打卡点吸引了众多冒险家与游客驻足围观
冒险家与银色剑仙与艾琳Coser集邮互动乘坐往返于景区东门与水绕四门之间的《龙之谷》主题联动大巴，则成为冒险家们解锁这场联动之旅不可缺少的一环。车身以深邃蓝紫为主调，国风新职业银色剑仙的角色形象跃然车体，衣袂飘逸、姿态潇洒，折扇法器尽显仙侠风骨。车窗上“寻龙悟道 一剑登仙”的联动大字Slogan格外醒目，让冒险家从踏上大巴的那一刻起，便能感受到浓厚的联动氛围。随着车辆穿行于张家界的山水之间，车身上的银色剑仙身影也与沿途满目的青绿山林相映成趣，仿佛游戏中的角色与现实山水融为一体，让这段旅程更多了一分沉浸感。
《龙之谷》主题联动大巴位于武陵源景区核心区域的水绕四门，是这场线下联动活动最具代表性的打卡点之一，也是游客游览金鞭溪等经典线路时的重要节点和必经之处。金鞭溪、索溪、鸳鸯溪、龙尾溪四条溪流在此汇流，溪水环绕、群峰耸立，天然形成“四道山门”。这样的奇峰、流水与山谷交织的独特景观，本身就带有几分东方奇幻世界的意境。此次联动期间，《龙之谷》在水绕四门设置“登仙打卡点位”，让途经这一核心景观的游客与冒险家能够在真实的山水秘境中，留下属于自己与《龙之谷》的独特回忆。
《龙之谷》×张家界国家森林公园南门大氧吧广场打卡点
《龙之谷》新职业银色剑仙与艾琳Coser在南门打卡点16周年资料片代表着《龙之谷》在内容上的突破，而与张家界国家森林公园的线下联动，则为《龙之谷》IP与冒险家之间打开了一种新的连接方式。对于老玩家来说，这是一场青春记忆与现实世界的重逢；对于新朋友而言，则是一次从现实进入游戏世界的全新入口。希望冒险家们都能在《龙之谷》中拥有最特别的冒险故事。
Current article:http://1ddx.xuanliaruamibinmilangca.shop/news/20260826_5469572.html
Published on:06:49:10